Fly

 


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Location Recce

 Act 1  - Viewpoint in Greenwich park, two benches and a really nice city skyline https://www.google.com/maps/uv?pb=!1s0x48760287fa803489%3A0x89d892a1400f39f0!3m1!7e115!4shttps%3A%2F%2Flh5.googleusercontent.com%2Fp%2FAF1QipNKw68KMw1MZP2W8W60ByKhJGXilbdYO7G-PGDz%3Dw260-h175-n-k-no!5sgreenwich%20viewpoint%20-%20Google%20Search!15sCgIgARICCAI&imagekey=!1e10!2sAF1QipN4CERAA3RnMa644JbYG5Eq7US5Lsq8HREXluqb&hl=en&sa=X&ved=2ahUKEwj6hp7G94z7AhVwhP0HHa5YBSoQ7ZgBKAB6BAgZEAI above is the google earth link to that bench, very visually pleasing and makes sense within the story.  Act 2 Bedroom in my house Bathroom in my house Ryculf square, road in blackheath where Tom will ride his bike down and the tire punctures Blackheath station or Peckham Rye station depending on availability  Act 3 Blackheath station or Peckham Rye station depending on availability  A pub/restaurant/cinema where my friend works as the place for the date. 
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ScreenPlay

  ‘12:30? Cool.’ Written By Archie Williamson Directed by Archie Williamson DRAFT 1 16/09/22 Title Sequence Black screen with Directed, featuring, music by credit CUTS FROM BLACK SCREEN TO FIRST SHOT EXT: Afternoon Autumn Day — Sunny day, clear skies, Blackheath common on a bench in the middle of the grass, no roads or cars too near. We see two boys, TOM and BRUCEY sitting on a bench having a conversation. When we cut to a close up shot of them we hear a text notification.   IMESSAGE/WhatsAPP TEXT SOUND   BRUCEY: What's that Tommy boy?  Jaw drops from Tom, excited look on his face Tom: Mate, you’ll never guess who’s just secured a date with Grace… Brucey: Oh shit! When is it? Where are you gonna go — What are you gonna wear mate?!  Brucey is almost more excited than Tom   Tom: She said something about lunch (or cinema) tomorrow afternoon at like 12:30. God knows what I’m gonna wear but it has to be SICK! Dress to impress you know?  Brucey: As always ma...
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Operator

    A call operator Laura is helping a woman named Gemma, who is in a burning house with her 3 year old son. Gemma goes upstairs when she is told not to and it appears she has gone, but comes back on the phone. Laura tells her to block the door with something to stop smoke getting in, and tries to calm Gemma down as the crew is on their way. The crew arrive and save Jamie, the son, and the call ends. Laura takes a moment to calm down, then picks up another call. -         Thriller – tension is used throughout, it appears at one point that Gemma is gone, she panics and coughs heavily, fear she is going to die -         Told completely through the perspective of the call operator – the short break at the end before she moves on to the next call shows the intensity of the job – the film also takes place solely at Laura’s desk in an office -         Laura acts as the calming fi...
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